Customer Stories

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Jessica Rudman: Putting Sibelius | Ultimate to Work

I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.

DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER

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Jay Terrien: Orchestrating for Strings with Sibelius | Ultimate

The quickness of Sibelius | Ultimate matters when I need to share the music with a group, and when we need to get up to speed quickly for a performance or session.

JAY TERRIEN, VIOLINIST, COMPOSER, ARRANGER

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Oliver Caplan: Spreading Hope Through Music

Sibelius allows me to stand back and pretend I’m in the audience. While I’ve always dreamed of a pocket orchestra that lives in my desk drawer, Sibelius is the next best thing.

OLIVER CAPLAN, AMERICAN COMPOSER

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Perrine Virgile: Composing on Hollywood Time with Sibelius

When I came to Hollywood, I found everyone using Sibelius. It is much quicker and easier to get around, to implement articulations and notes, and makes the process very easy.

PERRINE VIRGILE, COMPOSER FOR FILM AND TELEVISION

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Anne Dern on Composing for Film with Sibelius | Ultimate

Having all the freedom Sibelius offers is really a must, because score layouts in film sessions are a little bit different from symphonic sessions.

ANNE DERN, FILM COMPOSER

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Monkey King 2 Uses Avid Editing Software for International Post Production and VFX Collaboration

The complexity of Dolby Atmos production is self-evident, but it also expands the creation space from 2D to 3D. The convergence of Dolby Atmos plugins and Pro Tools made the production very smooth.

YIN JIE, SOUND DESIGNER

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