Customer Stories

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Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum

Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.

SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS

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Jessica Rudman: Putting Sibelius | Ultimate to Work

I use [Sibelius | Ultimate] because I often need to quickly orchestrate pieces for different types of ensembles and levels of performers.

DR. JESSICA RUDMAN, COMPOSER, THEORIST, AND TEACHER

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Jay Terrien: Orchestrating for Strings with Sibelius | Ultimate

The quickness of Sibelius | Ultimate matters when I need to share the music with a group, and when we need to get up to speed quickly for a performance or session.

JAY TERRIEN, VIOLINIST, COMPOSER, ARRANGER

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Oliver Caplan: Spreading Hope Through Music

Sibelius allows me to stand back and pretend I’m in the audience. While I’ve always dreamed of a pocket orchestra that lives in my desk drawer, Sibelius is the next best thing.

OLIVER CAPLAN, AMERICAN COMPOSER

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Perrine Virgile: Composing on Hollywood Time with Sibelius

When I came to Hollywood, I found everyone using Sibelius. It is much quicker and easier to get around, to implement articulations and notes, and makes the process very easy.

PERRINE VIRGILE, COMPOSER FOR FILM AND TELEVISION

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Anne Dern on Composing for Film with Sibelius | Ultimate

Having all the freedom Sibelius offers is really a must, because score layouts in film sessions are a little bit different from symphonic sessions.

ANNE DERN, FILM COMPOSER

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